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Audio-haptic relationships as compositional and performance strategies

หน่วยงาน Edinburgh Research Archive, United Kingdom

รายละเอียด

ชื่อเรื่อง : Audio-haptic relationships as compositional and performance strategies
นักวิจัย : Hayes, Lauren Sarah
คำค้น : music , performance , improvisation , composition , haptics , embodiment
หน่วยงาน : Edinburgh Research Archive, United Kingdom
ผู้ร่วมงาน : Edwards, Michael , Parker, Martin , FfWG (Funds for Women Graduates)
ปีพิมพ์ : 2557
อ้างอิง : http://hdl.handle.net/1842/9481
ที่มา : -
ความเชี่ยวชาญ : -
ความสัมพันธ์ : Hayes, L. (2011). Vibrotactile Feedback-Assisted Performance. In Proceedings of the International Conference on New Interfaces for Musical Expression (pp. 72-75). Oslo, Norway. http://www.nime2011.org/proceedings/papers/B12-Hayes.pdf , Hayes, L & Michalakos, C. (2012). Imposing a Networked Vibrotactile Communication System for Improvisational Suggestion. Organised Sound, 17 (pp. 36-44). Cambridge Journals Online. http://journals.cambridge.org/abstract_S1355771811000495 , Hayes, L. (2012). Performing Articulation and Expression through a Haptic Interface. In Proceedings of the 2012 International Computer Music Conference (pp. 400-403). Ljubljana, Slovenia. http://quod.lib.umich.edu/i/icmc/bbp2372.2012.074/1/
ขอบเขตของเนื้อหา : -
บทคัดย่อ/คำอธิบาย :

As a performer of firstly acoustic and latterly electronic and electro-instrumental music, I constantly seek to improve my mode of interaction with the digital realm: that is, to achieve a high level of sensitivity and expression. This thesis illustrates reasons why making use of haptic interfaces—which offer physical feedback and resistance to the performer—may be viewed as an important approach in addressing the shortcomings of some the standard systems used to mediate the performer’s engagement with various sorts of digital musical information. By examining the links between sound and touch, and the performer-instrument relationship, various new compositional and performance strategies start to emerge. I explore these through a portfolio of original musical works, which span the continuum of composition and improvisation, largely based around performance paradigms for piano and live electronics. I implement new haptic technologies, using vibrotactile feedback and resistant interfaces, as well as exploring more metaphorical connections between sound and touch. I demonstrate the impact that the research brings to the creative musical outcomes, along with the implications that these techniques have on the wider field of live electronic musical performance.

บรรณานุกรม :
Hayes, Lauren Sarah . (2557). Audio-haptic relationships as compositional and performance strategies.
    กรุงเทพมหานคร : Edinburgh Research Archive, United Kingdom .
Hayes, Lauren Sarah . 2557. "Audio-haptic relationships as compositional and performance strategies".
    กรุงเทพมหานคร : Edinburgh Research Archive, United Kingdom .
Hayes, Lauren Sarah . "Audio-haptic relationships as compositional and performance strategies."
    กรุงเทพมหานคร : Edinburgh Research Archive, United Kingdom , 2557. Print.
Hayes, Lauren Sarah . Audio-haptic relationships as compositional and performance strategies. กรุงเทพมหานคร : Edinburgh Research Archive, United Kingdom ; 2557.